Star Wars 40th Anniversary Review: Star Wars Episode VI: Return of the Jedi

Contributor: Rick McGimpsey

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Return of the Jedi, while being the weakest film in the original trilogy, is still a masterpiece. Luke’s own Hero’s Journey reaches it’s culmination in this movie and it is beautifully and artfully done in such a way that is both moving and exciting.
People have tons of fun making fun of Luke for how much he whines, needs his friends to rescue him, and is brash to the point of being a liability. But, in all fairness close examination of this movie in comparison to the previous two reveals how admirable a man Luke Skywalker actually becomes.
Disillusionment with one’s ideals is not uncommon in the growth of any adult especially when we see those whom we admired and imitated show their own flaws and imperfections to us. Luke Skywalker was a young dreamer who wanted to become a Jedi Knight like his own father and never stopped to consider how hard a life that would be for him. One can only imagine the bitter blow it would be to discover that the man he admired and made a role model was not who he thought he was. We all discover eventually that our own parents are human and imperfect, but rarely do we discover that they are evil! I truly admire and give credit to Luke’s character because a lesser man would have become cynical at the revelation that his role model was nothing more than a lie. Luke, on the other hand, stuck to the principle of his ideals and reacted to the truth of his father’s identity by attempting to turn his father back to the ideals that he had rejected decades ago. And when failure seemed inevitable Luke stuck to his guns in the face of certain death. He stood there even to the point of tossing his weapon aside and declared himself “a Jedi like my father before me.” If Darth Vader had ignored his son’s pleas for help Luke would not have given up and turned to the Dark Side to survive. Death was an option. Turning to the Dark Side was not. After truly considering all that I dare anyone to seriously call Luke a pansy.

And Darth Vader’s conversion to the Light Side of the Force and his final moments with his son is my absolute favourite scene in the entire Star Wars franchise. It’s a beautiful, moving, and meaningful finale that puts George Lucas high up on the list of great storytellers.

Sadly this film is rife with imperfections and flaws in its other parts. The epic final showdown with the Rebel Alliance and the Galactic Empire is disappointing and drags more than it excites. The chemistry between Han, Leia, Chewie, the droids, and other characters is no where near as good as it was in The Empire Strikes Back and much of it falls flat and is overshadowed by Luke and Vader’s story.

The second Death Star is a very lame mcguffin to threaten the Rebels with since we already seen one of those in A New Hope. The lack of originality is a gaping problem with Return of the Jedi and as fantastic as the space battle is it doesn’t make up for the utterly absurd manner in which the Empire is taken down. The Ewoks are clearly a marketing gimmick to sell toys and make the film appeal to very little children, but for the rest of us who wanted an epic and believable conclusion to the Rebellion against the Empire we are disappointed with seeing care bears with stone age spears and slingshots take out a battle-hardened, heavily armed, and thoroughly trained Imperial military. It’s stupid, pure and simple, and the only commendable thing to come of the Ewoks was Warwick Davis’s future career which I have enjoyed immensely.

I also feel that the first half hour of Return of the Jedi really drags. The Jabba’s Palace sequence feels like a failed attempt to recapture the novelty of the Cantina scene in A New Hope, but the music the band plays sucks in both the original version and the Special Edition (although the Special Edition is admittedly worse) and I find myself thinking the scene would have been better if Jabba had booked Figrin D’an and the Modal Nodes rather than Sy Snootles and her crew. It also would have spared us the excruciating Special Edition scene in which Boba Fett flirts with some of the female singers. Boba Fett is such an overrated chump as it is we really don’t need to mess with him more by having him getting distracted by a pair of legs and flashing eyelashes at a dingy party.

And if I am jumping on the Boba Fett is overrated bandwagon it is only because I sincerely sit in that camp. He had Han Solo handed over to him by a Sith Lord in a frozen block of carbonite before he could be bothered to take him in and after Han woke up feverish and blind as a bat he still managed to overcome the heavily armed bounty hunter with a stick. I wouldn’t hire Boba Fett to win an Easter egg hunt!

Also what the hell is up with Leia at Jabba’s Palace? She was tortured, drugged, and imprisoned by a Dark Lord of the Sith and yet still remained the independent spitfire we all know and love. But, now she gets captured and put in a degrading slave outfit by a fat gangster who needs help moving to the bathroom and suddenly that shuts her up? Whatever happened to telling Grand Moffs they smell bad, accusing Darth Vader of being on a leash, and calling the coolest man in the Galaxy a laserbrain and a nerfherder? After enduring physical torture and seeing her homeworld annihilated you would think a perverted slug would be just another day at the office; but, no, she is now broken, tamed, and needs Luke and Han Solo to rescue her. I am calling bull!
And don’t get me wrong. I am not complaining about the slave outfit itself. That puberty-inducing getup suits the straight male in me just fine. I just don’t like seeing Leia rendered inert by it. Her strength should not have been sapped by humiliation and I wholeheartedly object to it.

It’s the Jabba’s Palace and Endor stuff that really keeps this film from being perfect. But, the epic conclusion of Luke Skywalker’s path to being a Jedi and Anakin Skywalker’s redemption more than makes up for those imperfections and combining that with the groundbreaking special effects, John Williams’s score, Ben Burtt’s sound design, and all the other talents who put their innovative mark on Return of the Jedi are what make this movie a masterpiece. Adding it to A New Hope and The Empire Strikes Back and The Original Star Wars Trilogy is to this day one of the greatest screen epics ever made along side with Coppola’s Godfather films (which also had a weak third entry), Peter Jackson’s Lord of the Rings trilogy, and cinematic treasures like Wizard of Oz, Gone with the Wind, and Ben-Hur. If people ask me why I love Star Wars so much and need a short answer I won’t point to all the multi-media, comics, games, books, and fan conventions. I will point to these three films by themselves as a whole and let them know that these films are what make me love Star Wars.
I have seen some hardcore EU lovers who have admitted that if the EU had not existed they probably would not care for the Star Wars movies all that much and that seriously bothers me. I have even heard one guy comment that by themselves the Original Trilogy movies were merely quaint and it was the EU that truly made Star Wars meaningful to him. While far be it from me to dispute one’s right to a subjective opinion, I do wonder at how someone could look at these films and see something quaint or uninteresting.
The Original Star Wars trilogy is enough for me. As much as I love the EU, I could live with just A New Hope, The Empire Strikes Back, and Return of the Jedi. Boil it down to its purest essence and it is these three masterpieces that are what Star Wars truly is and I, for one, hold them in highest honour.

Check tomorrow for a review of Star Wars Episode I: The Phantom Menace and may the Force be with you.

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